The Orphanage (2007)

A former orphan named Laura (Belén Rueda) gets married to a man anmed Carlos (Fernando Cayo) and adopts a boy named Simón (Roger Príncep) whom is HIV positive to an old house which was the orphanage to where she was raised.
Simon tells his Mom about his five invisible friends to which she thinks that they are imaginary.
Later on, Laura decides to reopen the orphange to handicapped children which keeps her busy and it enrages Simón saying that he has no family and then Laura suddenly spots a mysterious boy in a mask during the opening party for the handicapped orphans. After this, she realises that her son has disappeared and presumed dead.
Months later Laura feels the presence of other children in her house and is determined that her son is still alive in which she invites a team of parapsychologists to try to unravel the mystery.
However, Carlos thinks that this is all a hoax and then leaves not being able to handle all of what is going on while Laura struggles to find her son.

It's hard to judge whether or not that this is a horror film but it does get pretty creepy and haunting like after the child disappears.
A foreign film with Spanish language but it's still a good film to watch with alot of good quality values and neat illusions too.
It's also extremely mysterious wondering whatever happened to this poor child and a mother not giving up till she finds him.
Some good dark moments too and quite disturbing with the disputes going on as well along with a very nice ending.

The acting was spoken in Spanish so it's difficult to tell the acting talents but I can give a good idea on some of the cast involved.
Belén Rueda seemed to do a good job playing the adopted mother showing her aggressions as well as her upset and intense emotions too.
Child actor Roger Príncep showed great attitude and aggression in his part as well as his curiosity.
Edgar Vivar seemed to present himself very well as a professor instructing others.

A woman's jaw is torn open on the street

Juan Antonio Bayona directs this film in a descent fashion as he shows a good prologue with some child actors playing a game.
We have a good dialogue between Belén Rueda and child actor Roger Príncep in his room having a discussion about being afraid of the dark.
There's also a nice dialogue between Rueda and Fernando Cayo playing the piano and having having a conversation about their son.
We have some good shots on Príncep running around in a cave and speaking to an imaginary friend and Rueda in a distance coming up to him and talking to him.
We have some good intensity coming out of Príncep towards Rueda telling her that she is not his mother and other nasty things which makes the setting look truly disturbing.
There's a good shot on Rueda with a distant shot on Príncep wearing a mask and then some good blocking with her coming up to him and he pushes her in a bathroom along with a great close up shot on her finger being slammed by the bathroom door which looked painful too.
We have many great takes on Rueda trying to look for her son lifting up party masks on children along with her running in the ocean screaming intensely and crying with Cayo holding her back.
There's a good setting with Rueda and a supporting cast of people in a group discussing seeing their dead loved one's and a great reaction on Rueda telling them her son is not dead and that she will find him.
We spot a perfect camera shot on Rueda lying sideways on her bed talking to herself and acting emotional which looked nicely done.
There was a perfect scene with Rueda trying to talk to supporting actress Montserrat Carulla on the street and suddenly a jumping scene with a vehicle hitting her which was a great effect. I found they borrowed that direction from Final Destination.
A good close up shot on Rueda looking at the remains on the street and the corpses hand grabbing her which is another good jumping scene.
We spot a good reaction on supporting actress Geraldine Chaplin with her intense reaction while being on camera and hearing the spirits of children in the room saying that they're dying which was a powerful direction while supporting actor Edgar Vivor instructing her as his were very strong.
There's a good argument between Rueda and Cayo about discussing if this is real or not as Rueda is good at being convincing that this is real.
We have a great screaming reaction with Rueda asking what they want while there's food on the table when things aren't right for her.
There's many great angle takes with Rueda trying to search for her son in passageways and other areas around the house.
There's a perfect shot on Rueda trying to play her game like she did when she was a child and some featured extras as children start to appear which looked effective.
We have a good dialogue sequence between Rueda towards Príncep telling him about the good things that are going to happen while holding him.
There's a good shot on Rueda holding the blanket realising it's empty with her breaking down and crying.
There's a good scene with Rueda around the children at the end telling a story as Bayona really knew how to direct a perfect ending.

For the dark moments there's some good drum booming sounds along with some little prickly type sounds. We have have the great violin and trumpet playing along with some nice peaceful music during the end of the film all composed by Fernando Velázquez.