U.S.A.

  Canada

U.K.

   





 

 

 

 

 

 

 

 

 

 

 

 

 

Let's Scare Jessica to Death (1971)

   
Directed by: John D. Hancock

Written by:
John D. Hancock & Lee Kalcheim

Starring:

Zohra Lampert
.... Jessica
Barton Heyman .... Duncan
Kevin O'Connor .... Woody
Mariclare Costello .... Emily

Special Appearance:


Alan Manson .... Sam Dorker

Release Date: Theatrical: August 6, 1971

*Images courtesy at: www.terrortrap.com

Rating:

 

After being released from an institution by suffering from a nervous breakdown, Jessica (Zohra Lampert) is trying to get her life together along with her husband Duncan (Barton Heyman) and close friend Woody (Kevin O'Connor) as they seek the tranquility to a secluded farm home in Conneticut to help her make her recovery complete.
However, they encounter a strange woman named Emily (Mariclare Costello) also living in their house as apparently they find a picture of a woman who drowned there on her wedding day that looks just like Emily.
The farmhouse claims to be haunted and rumour has it that Emily has returned from the dead as a vampiress this time.
Jessica finds dead bodies of local people around her property she as well but Duncan and Woody just tell Jessica it's all her imagination.
Is Jessica going crazy again, and can she escape the madness that is surrounding her?

 

A nicely done mysterious horror flick as you wonder all the way through if this is a hoax, illusions or is it really happening.
You do sort of wonder where it is going and it goes along greatly even if sometimes the story doesn't make sense but again it wasn't meant to since it's supposed to be a brainteaser.
It is quite eerie in lots of spots in the film which makes you wonder if the missing pieces will come together.

The acting is a little average but good in some spots. Zohra Lampert seems to pull off well as someone trying to recover from a nervous breakdown and does well with her speech disorder too.
M
ariclare Costello is the best one in the film with her outgoing actions and lustful words too which makes her deadly and mysterious too which she also knew how to do greatly.
Supporting actress Gretchen Corbett looked perfect as a mysterious mute one spying on the place and just the way she does things is all that mattered for her well performance.

John D. Hancock was a little slow with his direction so it was hard for me to review alot of it but he did show some good stuff in it to make this film look great.
There was a suspenseful moment when Zohra Lampert is walking towards a hallway to a staircase and everything seems still and suddenly Mariclare Costello jumps out of nowhere catching her by surprise which makes you jump a bit.
We see a nice brief dialogue between Lampert and Costello discussing to stay the night as it looks believeably welcoming.
There's a good shot on Lampert after she tries to summon up spirits as she shows a good dazed smile.
We see great dialgogues with all the actors like Lampert, Costello, Barton Heyman and Kevin O'Connor hanging out at the lake as it looks like a good relationship towards one another.
We see a good camera shot on one of the smaller actors playing a local crazy towards Lampert while holding groceries by her car as it almost gives you a clue to the story in this film and it almost convinces you that she might get hurt.
There was a good shot on young actress Gretchen Corbett waving towards Lampert to come follow her and it looked good on the two of them running too.
Lampert
looked great at trying to force something out of Corbett after what she saw with her wild but reasonable expressions.
We see a great tripped out reactions on Lampert towards Heyman in a bed scene about what she is seeing as if she is going crazy again.
A nice tense setting was with Lampert and Costello at a pier next to a lake and Costello acting aroused around her and then behaving extremely strange which makes you think to yourself what is going to happen?
There's a terrific camera shot on Costello rising from the lake in a gown looking like some sort of a spirit.
There's a good shot on Lampert running away towards the house in the field.
We spot a lustful dialogue between Costello and Heyman as Costello talks soothing towards Heyman and he is unsure of what she is doing then we see her mouth going to his neck.
There's many great shots on Lampert encountering people around town bit bitemarks on their necks too and her shocked reactions.

Orville Stoeber has some nice low keyboard settings to the plot of of this movies which sounds similar to the 1981 slasher flick Just Before Dawn

Jessica: I was just, er, looking at the picture. It looks so much like you.
Emily: My lord, it does. Gee, how weird. What's the matter?
Jessica: Nothing. It's just, er, it does look so very much like you.
Emily: It's an old print. It could look like anybody.
Jessica: No, it's... it's the eyes.

Emily: Do you like my new dress? My new old dress?